Editor’s Note: This is the second installment in our new Hidden Figures of Drug History series, with more to come in the future. Next week Points will feature more exciting news about drug and alcohol history in the media, as well as a great recap of LSD use in New York City in the 1960s. Enjoy this post and come back next week for more!
There are few subjects I like writing about more than the National Commission on Marihuana and Drug Abuse’s 1972 report, “Marihuana: A Signal of Misunderstanding.” Also known as the Shafer Commission, the group’s report enlivened my book Grass Roots, and I’ve continued to mine it for material on how we can understand the Trump administration’s response to the opioid overdose epidemic today.
But there’s something of particular interest for those who want to understand the role gender has long played in American drug history within this report as well. And that’s a name that appears within the list of the commission’s thirteen members, nine of whom were appointed by President Richard Nixon, and four of whom were senators and members of Congress.
And that name is Mrs. Joan Ganz Cooney.
Continue reading →
Editor’s Note: As a working mother of an active toddler, I don’t have a lot of time to keep up with popular culture. But a few months ago my husband and I finally watched Hidden Figures. The movie is well done, and it got me thinking. First of all, is there anything Janelle Monae can’t do? And second, what if we applied this same idea – revealing the hidden and important roles of women – to our own field of drug and alcohol history?
And voila – Hidden Figures of Drug History was born. Today’s post is the first installment, in which we discuss Lenore Kandel, a too-often ignored leader of the counterculture and Beat movements. Enjoy!
“When a society is afraid of its poets, it is afraid of itself. A society afraid of itself stands as another definition of hell.” – Lenore Kandel
Kandel, who died in San Francisco in 2009 at the age of 77 from complications of lung cancer, was an uncommon woman in both the Beat and hippie countercultures. A peer and a participant rather than a girlfriend or a muse, Kandel was one of the strongest, most poetic, and perhaps the most frankly sexual voice of the female experience of San Francisco in the 1960s. Though she published only two books of poetry during her lifetime and was virtually unheard of for nearly thirty years preceding her death, her small body of work attracted both critical and popular acclaim, as well as wide-ranging legal ramifications. Nonetheless, a thorough understanding of the artistic movement of the 1960s is simply incomplete without considering her poetic, political, and psychedelic contributions. Lenore Kandel was a pioneer, challenging conventions in the realms of female artistry, literature, and the fight against censorship. The countercultural canon is incomplete without her.
Continue reading →