Editor’s Note: This post is brought to you by guest contributor Michael Brownrigg. Enjoy!
It is often said that we are in the midst of a new golden age of television. A remarkable abundance of compelling stories and indelible characters on the small screen has captivated American audiences, fostering new trends in how and where we consume visual media. It seems that everything these days is must-see TV. The small screen’s renaissance has occurred in the wake of cinema’s so-called “death,” in which quality and experimental content has largely yielded to commercial imperatives, consequently impoverishing the cinematic experience once considered transcendent.
Yet while the surfeit of quality television is striking, so too is the prevalence of representations of drug use available for our viewing pleasure. Indeed, drugs of all kinds, licit and illicit, are more than mere props in recent popular programs, but dynamic characters with the capacity to propel and shift plotlines and enrich visual narratives. Below I briefly examine the integral role of drugs in two critically-acclaimed television programs: Mr. Robot and Fear the Walking Dead. Although significantly different in subject matter, each show depicts American society on the cusp of historic change and situates the addict at the center of stories of structural transformation (or disintegration). While this small sampling only begins to reveal the prominent place of drugs in our visual culture, I hope to draw attention to contemporary assumptions about drug addiction embedded in the imagery that reach millions of Americans on numerous platforms.