EDITOR’S NOTE: Points is delighted to welcome Stephen Siff, an associate professor in the Department of Media, Journalism and Film at Miami University of Ohio. Below, Siff discusses his recent book, Acid Hype: American News Media and the Psychedelic Experience (University of Illinois, 2015), which chronicles LSD’s trip from multi-colored miracle to mind-melting menace.
Describe your book in terms your bartender could understand.
Acid Hype is a history of how newspapers, magazines and TV reported on LSD and similar drugs in the1950s and 1960s. During that time, mainstream media enthusiastically promoted LSD as a treatment for all sorts of problems, and talked about its potential to provide memorable experiences to people who were not sick.
The book explains why journalists working for major newspapers and organizations like Time and Life devoted so much attention to describing psychedelic drug experiences, and how such work evolved as a genre within the journalism of the period.
Acid Hype leaves off around 1970. That’s when the media lost interest in psychedelic drugs, even while their actual prevalence in society was continuing to increase.
In their 2011 book, Gendering Addiction: The Politics of Drug Treatment in a Neurochemical World, Nancy Campbell and Elizabeth Ettorre problematize the male-centric knowledges that frame addiction research and treatment programs. They call for a more inclusive treatment strategy that does not consider the neurochemical “male brain” the baseline for recovery. According to the authors, these “epistemologies of ignorance” limit, even eliminate, the useful options available for female addicts.
In many similar ways, epistemologies of ignorance also manifest in the historical record of marijuana users in the 1930s. Perhaps “ignorance” is not quite the right term, even as its effects were just as restrictive, especially for women users in during the decade. But due to the American obsession with gender and sexual normativity during this period, both female and male users (as well as male and female anti-marijuana activists) occupied mutually exclusive discursive spaces from which two separate gendered narratives about marijuana use emerged. Reading past these stereotypes though, utilizing Michelle McClellan’s notion of “damp feminism” (here, and here), historians can make use of these highly problematic portrayals of female marijuana users from this period.
Editor’s Note: This post is brought to you by Andrea Jones, a journalist interested in issues of alcohol and drug addiction in youth.
Rastafari: What comes to mind when you see the word? Jamaica? Dreadlocks? Bob Marley? Chances are one of the first things that comes to mind is marijuana. Culturally entrenched with the Rastafari movement since it began in the 1930s, marijuana – or ganja, as it’s more commonly called by Rastas – is considered sacred and is often referred to as the wisdom weed or holy herb.
What everyone seems to remember most is how fun and lively she was, the “saloon historian” who made a career out of elevating the importance of the lowly and mundane. Madelon Powers, the vivacious professor and former chair of the history department of the University of New Orleans, passed away in mid-April after a struggle with cancer, but her contributions to both the field of alcohol and drug history, as well as in the lives of her many students, will live on through her writing and a new UNO scholarship founded in her name.
Editor’s Note: Readers of Social History of Alcohol and Drugs, the Alcohol and Drugs History Society’s journal, are aware of Jonathon Erlen’s ongoing bibliography of recent dissertations related to alcohol, tobacco, and other drugs. Until recently, Dr. Erlen, the History of Medicine Librarian at the University of Pittsburgh, curated and published his dissertation lists in the print edition of the journal. Last August, the Alcohol and Drugs History Society moved the publication of Erlen’s bibliography to the blog. Below, we highlight a few entries that may be of interest to alcohol and drugs historians and provide a link to the complete listing of Erlen’s selections from the ProQuest index. The highlighted entries were harvested from ProQuest’s database in the spring of 2015.
Editor’s Note: Points is thrilled to present our final roundtable on the television series that has given drug and alcohol historians the most to discuss over the past seven years: Mad Men. Claire Clark, Amy Long and I present our thoughts on the series finale, which aired on Sunday, May 17, and its meaning and repercussions for ADHS scholars.
In my previous posts, I began to ask questions about how to find user voices in the archives. In my last post, I moved to a more direct discussion of sources from actual users — jazz musicians– and their relevance to social history methods. But I haven’t yet raised the bigger question: how did everyday users contribute to the historical record on cannabis use during the late nineteenth and early twentieth century? In another speculative exercise, using a combination of disparate source material, I will begin to lay out the foundation of an answer to this question. Further research in this area, connected to my dissertation project, will hopefully crystallize into a more workable hypothesis about casual marijuana use during this period.
EDITOR’S NOTE: Points is thrilled to welcomeHannah Palin (Film Archives Specialist) and Nicolette Bromberg (Visual Materials Curator) from the University of Washington Libraries, Special Collections. The University of Washington has a wonderful collection of materials by the British filmmaker and journalist Adrian Cowell. Beware, alcohol and drugs historians– once you read their descriptions of the Cowell collection, you might be tempted to book your tickets to Seattle!
In January 2015, the University of Washington Libraries, Special Collections, received 6 pallets of materials shipped from London. They were stacked high with boxes of 16mm film, audio and videotape, photographs, newspaper clippings, transcripts and log books—covering three decades of work by British filmmaker and journalist, Adrian Cowell. From the 1960s to the 1990s, Adrian Cowell created television documentaries detailing the complex relationships between minority insurgents in a remote region of Burma and the international opium trade originating in Southeast Asia. The Adrian Cowell Film and Research Collection contains Cowell’s work tracking the opium trade from its production in Burma to the addicts and dealers in Hong Kong to the drug policy makers in Washington, D.C. It includes the most extensive collection of images of the remote Burmese Shan State in the world, gathered during Cowell’s trips documenting opium merchants, opium caravans, militias, insurgents and other activities related to the opium trade. A year and half after its arrival, Special Collections’ staff, students, and volunteers are still slowly working their way through the collection of over 2000 items, most of which have never before been made public.
A pensive stone figure sits outside the National Archives Museum in Washington, D.C., atop a platform reading, “what is past is prologue.” But if a new exhibit, “Spirited Republic: Alcohol in American History,” is any indication, perhaps it should more appropriately read, “what is past is pregame.”