Interview: Meet the New Editors of SHAD

In January 2018, Nancy Campbell, David Herzberg, and Lucas Richert assumed responsibility for Social History of Drugs and Alcohol: An Interdisciplinary Journal. They took on the role of co-editors in chief and began planning for the future. In April, the ADHS signed an agreement with University of Chicago Press.

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SHAD’s new co-editors, L-R: David Herzberg, Nancy Campbell, and Lucas Richert

1.) Tell us about your history as a scholar. What got you interested in alcohol and drug history?

Nancy: As the daughter and grand-daughter of small-town doctors, I was fascinated by the drug room and amassed a large collection of pharmaceutical giveaways. I was struck by how dismissive people were toward “druggies,” so at a tender age, I announced my intention to write a history of drugs. I’m just sticking to the plan.

Luc: I didn’t have a plan. Far from it. But I did figure out that I wanted to focus on the field of history in my third year of undergraduate. I started scheming and scrambling after I finished up at the University of Saskatchewan – and then I traveled to Edinburgh and London for graduate school. Early on, the American pharmaceutical policy grabbed my attention for a number of reasons; ultimately, this seemed a useful way of understanding the Reagan administration in the 1980s.

David: One of my closest friends in college had a very severe anxiety disorder. He was a very charismatic guy and liked to hold court and hold forth while medicating himself thoroughly with the one drug that he said eased his mind, alcohol. A favorite subject of his was Big Pharma medical journal ads. He had somehow come into possession of a huge stack of old journals, and he would flip through the images of smilingly healed people, deconstructing them freestyle, brilliantly but also bitterly–those drugs had let him down, but there they still were, mocking him with their shiny and, to him, fake promises. It stuck with me, this acute, intense version of consumer culture promises and human realities. My friend died while I was in grad school, making the questions more urgent right around when it was time to pick a dissertation topic.

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Points Interview: Stephanie Schmitz, Purdue University Archives & Special Collections

Editor’s Note: This interview was conducted and written by Lucas Richert, Chancellor’s Fellow in Health History at Strathclyde and co-editor in chief of Social History of Alcohol and Drugs. Enjoy! 

Stephanie Schmitz is the Betsy Gordon Archivist for Psychoactive Substances Research at the Purdue University Archives & Special Collections, where she is responsible for building collections pertaining to psychedelic research, and ensuring that these materials are discoverable and accessible in perpetuity.  

The conversation took place on June 8, 2018. It has been edited for brevity and clarity.

** 

Stephanie and I sat down to talk in the Purdue Memorial Union’s coffee shop early on a Friday morning and immediately realized we couldn’t stay. There was far too much activity. It was incredibly loud. “I know another spot,” she told me.  

Five minutes later, we found ourselves in an adjacent building. Stephanie was sipping coffee, as was I. We were set. Except not. A speaker on the floor beside us unexpectedly started up and the Kongos’ song “Come with me now” boomed. So we swiftly collected our belongings and moved across the room to a quieter table. 

“Alright,” Stephanie laughed. “Now I can think.” 

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The Points Interview: Scott Jacques

Editor’s Note: In this installment of the Points author interview series, Georgia State University criminologist Scott Jacques discusses his new book, Code of the Suburb: Inside the World of Young Middle-Class Drug Dealers (co-authored with Richard Wright). Contact Dr. Jacques at sjacques1@gsu.edu. 

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1. Describe your book in terms your bartender could understand.

A young, white drug dealer walks into the bar and orders a drink; thinks he’s real cool. Someone runs out with his drugs and money. Dealer yells in wimpy voice, “Hey, those are mine!” Does nothing else about it. Pays for drink with parents’ credit card. Goes on to live conventional middle-class life.


2. What do you think a bunch of alcohol and drug historians might find particularly interesting about your book?

The book explores the lives of drug dealers who, unlike their disadvantaged counterparts, rarely wind up in police reports, court records, and correctional rosters. This testifies to the importance of unofficial archives for understanding drugs, especially as they relate to crime and control.


3. Now that the hard part is over, what is the thing YOU find most interesting about your book?

 

The cover. The baggie with little houses inside makes me laugh every time I look at it. The designer, Brian Chartier, is a genius.


4. Every research project leaves some stones unturned. What stone are you most curious to see turned over soon?

For the teenagers in “Peachville”, where most of the book takes place, it was easier to buy illegal drugs than tobacco or alcohol. This is because legitimate businesses only sold to of-age persons, whereas the dealers sold to anyone they knew and trusted. What I wonder, then, is whether legalizing marijuana will make it harder for youth to get high, and, in turn, make hard drug use and sales more common among them.


BONUS QUESTION: In an audio version of this book, who should provide the narration?

 

Aaron Paul in the voice of Jesse Pinkman.

The Points Interview: Stephen Siff

EDITOR’S NOTE: Points is delighted to welcome Stephen Siff, an associate professor in the Department of Media, Journalism and Film at Miami University of Ohio. Below, Siff discusses his recent book, Acid Hype: American News Media and the Psychedelic Experience (University of Illinois, 2015), which chronicles LSD’s trip from multi-colored miracle to mind-melting menace.

Describe your book in terms your bartender could understand.

Acid Hype is a history of how newspapers, magazines and TV reported on LSD and similar drugs in the1950s and 1960s. During that time, mainstream media enthusiastically promoted LSD as a treatment for all sorts of problems, and talked about its potential to provide memorable experiences to people who were not sick.

The book explains why journalists working for major newspapers and organizations like Time and Life devoted so much attention to describing psychedelic drug experiences, and how such work evolved as a genre within the journalism of the period.

Acid Hype leaves off around 1970. That’s when the media lost interest in psychedelic drugs, even while their actual prevalence in society was continuing to increase.

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