Gender and Critical Drug Studies: A Woman Formed the First Cartel?

Editor’s Note: Today’s post comes from Elaine Carey, professor of history and Dean of the College of Humanities, Education, and Social Sciences at Purdue University Northwest. In it, she explores more about her article on Delia Patricia Buendía Gutierrez, a contemporary female leader of a Mexican drug trafficking organization, which appeared in a special co-produced edition of SHAD and CDP, Special Issue: Gender and Critical Drug Studies. Enjoy!

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Elaine Carey

To analyze contemporary female leaders of Mexican drug trafficking organizations, I focused on Delia Patricia Buendía Gutierrez, also known as “Ma Baker,” because she represents a historical continuity of the women in the drug trade.  More significantly, however, her organization represents how the history of drugs responds to various contingent and changing factors and events.

Buendía formed a powerful familial-based drug trafficking organization (DTO) that grew the internal cocaine trade in Mexico. She and her daughters Marcela Gabriela, Nadia Isabel, and Norma Patricia, along with extended family and sons-in-laws, built a “narcomenudeo” network in the working class suburb of Ciudad Neza.  There, the Buendía became instrumental to other DTOs by responding to changing demand patterns in the US that shifted from cocaine to heroin. This shift was, in part, due to the over prescription of opioids by medical doctors which triggered a wide spread heroin epidemic.

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Tequila for the Tourists: Mexico City’s New Museum of Agave Intoxicants

Editor’s Note: This post is brought to you by Miriam Kingsberg, an assistant professor in the department of history at the University of Colorado, Boulder. She visited the New Museum of Agave Intoxicants in December 2015. Enjoy!

In December 2015 I found myself in Mexico for a new research project. Although my work had nothing to do with intoxicants (the subject of my first book), I couldn’t resist stopping by the Museo del Mezcal y Tequila (Museum of Mescal and Tequila) one free afternoon.

In years of travel, I’ve visited many intoxicants museums. The Drug Elimination Museum of Yangon, Myanmar attempts to scare schoolchildren away from methamphetamine with graphic images of dying addicts and bloody battles between traffickers and government forces. In Thailand’s Golden Triangle, not one but two Opium Museums recount the history of the drug in Southeast Asia and China as a tale of Western oppression and spur to state-building. The Coca Museum in Cuzco, Peru seeks to replace the legal, mildly stimulating plant’s fatally tarnished image as the raw form of cocaine, with a more positive association with national culture. Free coca-filled chocolates round out the experience. (They taste terrible.)

The Museo del Mezcal y Tequila, which opened in 2010, is a different experience altogether. Like Mexico’s other famed agave museums in Cancún and Guadalajara, this institution might best be characterized as a promotional opportunity for the alcohol with the fastest-rising sales in the United States. Although tequila has long suffered from its association with shots, drunk college students, and intense hangovers, in the past decade it has followed vodka, whiskey and bourbon into the luxury sector. Reflecting increasing demand among consumers for artisanal comestibles, most growth has occurred in super-premium sales (that is, tequilas that cost more than $30 per bottle and consist of pure agave). Meanwhile, mescal, associated even more firmly with “authentic” local production, is also experiencing booming growth—in fact, many tequila brands today have begun to fear its competition.

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The facade of the Museo del Mezcal y Tequila in Mexico City

 

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The Points Interview: Isaac Campos-Costero

Editor’s note: Today’s entry in the Points Interview series is number twenty-seven, and features Isaac Campos-Costero discussing his recently published Home Grown: Marijuana and the Origins of Mexico’s War on Drugs (University of North Carolina Press, 2012).

Describe your book in terms your mother (or the average mother-in-the-street) could understand.

Between the 1840s and 1920, marijuana was overwhelmingly associated with two effects in Cover of Isaac Campos' Home GrownMexico– madness and violence. And I really mean overwhelmingly. There were hundreds of reports of marijuana turning its users into violent maniacs and such reports went almost totally unchallenged in published sources. Furthermore, the belief that marijuana caused violent madness appears to have been especially prevalent among the lower classes. In other words, it does not appear that these views were imposed on average Mexicans by propaganda campaigns from above. If you could go back to 1890s Mexico City and ask an ordinary person on the street to describe the effects of marijuana, they almost certainly would have told you that “it makes you crazy.” Of course today marijuana is associated with very different effects. Even the most aggressive drug warriors, in their most hyperbolic moments, would shy away from claiming that marijuana causes violence and madness. That just seems absurd given more recent experience with the drug. Thus my book  explains how marijuana earned this reputation. In the process it documents pretty much everything about cannabis’ history in Mexico, from its introduction to the country as a fiber-producing industrial plant in the 1530s, to its nationwide prohibition in 1920. The book thus also traces the origins of prohibitionist drug laws in Mexico and hence the origins of Mexico’s war on drugs. Ultimately I argue that marijuana probably had some role in triggering “mad” behavior and even violence but not because marijuana necessarily causes such effects in any context where it is used, but, rather, because of what researchers have long referred to as “drug, set, and setting”—that is, the interaction between user psychology, the setting of the drug’s use, and the  pharmacology of the drug itself. Simply put, what people think is going to occur when they take a drug is often as important as any other factor in producing a particular behavioral effect. Thus if you think a drug should make you lazy, it’s much more likely to make you lazy, and if you think it should make you crazy, it’s much more likely to make you think you are going crazy. Furthermore, marijuana is a substance ideally suited to convince people that “madness” might result from its use. It can produce anxiety, panic attacks, and even hallucinations at high doses (hence its classification as a “psychotomimetic” drug). But, again, like all drugs marijuana’s effects are highly conditioned by the social and cultural setting of its use, and the psychological “set” of its users.  In Mexico, a country with the richest collection of hallucinogens on earth and where, since the sixteenth century, disputes over the use of such substances have been intimately linked to political and spiritual conflict, it is not so surprising that the use of marijuana would soon be associated with madness and even violence. And that association has had an enormous historical impact in North America. These ideas not only helped inspire Mexico’s drug-war policies but, as I demonstrate in the book, they also served as the foundation of “reefer madness” ideas in the United States. Thus these Mexican ideas were also crucial to the development of the U.S. war on drugs as we now know it, with marijuana as one of its “big three” targets alongside cocaine and the opiates. Continue reading →