Editor’s Note: Today’s post comes from contributing editor Bob Beach. Beach is a Ph.D. candidate in history at the University of Albany, SUNY.
As the globetrotting mass of drug historians have been preparing to make their way to Shanghai for the bi-annual conference over the last few days, I (who am, unfortunately, not attending) had a chance to sit down and read some fiction. I don’t often get a chance to read much fiction. I have a copy of Kurt Vonnegut’s Slaughterhouse-Five on a shelf on my desk, and the bookmark has been on page 50 since the day I purchased the book for the trip to Dwight, IL, for the ADHS conference there in 2016.
But this latest literary indulgence was more directly research-related. Terry Southern’s collection of short stories entitled Red Dirt Marijuana and other Tastes has been on my list following a very productive archive trip to New York City two summers ago. I spent a few days (not nearly enough) in the Henry W and Albert A Berg Collection of English and American Literature at the New York Public Library, checking out the collected papers of a number of Beat writers like Jack Kerouac, William S Burroughs and others.
My dissertation research is formulating an argument about a marijuana culture in the United States beyond the Beats, with which it is commonly associated in the period prior to the 1960s. My initial reasoning was simply because this cultural movement has received plenty of coverage by literary figures and historians of the period. But I didn’t want to pass up an opportunity to look at the Beat archives during my time at the New York Public Library. Southern’s papers contained drafts of a couple of the stories (including the title work) as well as some correspondence between Southern and other literary and showbiz figures from the fifties through the nineties. (Southern died in 1995.)